- Publish Date
- Tuesday, 18 December 2018, 8:14AM
Ten years after The Dark Knight, the secret behind the late Heath Ledger's gruesome pencil killing scene has been revealed.
In a scene from the film, The Joker is seen walking into a room full of people who are there to join forces with the villain to take down Batman. The Joker then puts a pencil on the table upright before saying "Do you want to see a magic trick? I can make the pencil disappear."
At this point a goon walks up to The Joker, before the villain then slams his head into the pencil, causing the pencil to go through his eye and brain, instantly killing him.
In an interview with Movie Web, it had been revealed that the gruesome trick was unbelievably real and no CGI was used because it was shot in IMAX.
Wherever possible, we tried not to do unnecessary visual effects shots because, digitally, you can never really re-create an IMAX image," visual effects supervisor Nick Davis said.
Stuntman and goon actor Charles Jarman, who played the fatal character, explained it took 22 takes and several different tables to get the final result.
He said: "I remember Christopher Nolan saying to me, 'Look, we're going to do a couple of shots where you need to be able to take that pencil away'.
"We did a couple of half-speed rehearsals just to get the hand action of my right hand sweeping across, taking the pencil as my body was going down, and my head striking the blank surface."
"It was a little hairy, because the pencil's stuck in the table," Jarman continued.
"If, for some reason, I didn't get my hand in time, we wouldn't be having this conversation. Well, possibly through a Ouija board."
During the 22 takes, Jarman said he was knocked out three times and that the only time that method actor Ledger broke character was when he asked the stuntman if he way okay after being knocked out.
Ledger was just 28 when he passed away from an accidental overdose in 2008, leaving behind a then 2-year-old daughter, Matilda.
This article was first published on nzherald.co.nz and is republished here with permission.